Note: I am not a professional fashion historian. If you spot any inconsistency or outright fallacy somewhere in the picture descriptions please feel free (or even better, obliged) to let me know!
12th century, probably from Germany - Weissenau
Cologny, Fondation Martin Bodmer
Cod. Bodmer 127: Passionary of Weissenau; Vitae Sanctorum (Lives of the Saints)
fol. 11v - initial I (“Incipit passio sancti Sebastiani martyris[…]”)
12th century probably from Germany - Weissenau
Cologny, Fondation Martin Bodmer
Cod. Bodmer 127: Passionary of Weissenau; Vitae Sanctorum (Lives of the Saints)
fol. 53v - historiated initial T (Tempore quo Constantinus imperator[…]); discovery of the True Cross; the woman is possibly the Queen of Sheba
http://www.e-codices.unifr.ch/en/list/one/cb/0127
The enthroned woman is wearing a red cloak lined in vair and edged in red fur around the neck. The man behind her is wearing a sleeveless overtunic/surcote; two men are wearing the Jewish hat.
13th-14th century Italy - Bologna
Cologny, Fondation Martin Bodmer
Cod. Bodmer 75: Decretum (cum glossa ordinaria et ) by Gratianus
fol. 258v
13th-14th century Italy - Bologna
Cologny, Fondation Martin Bodmer
Cod. Bodmer 75: Decretum (cum glossa ordinaria et ) by Gratianus
fol. 226r
end of 13th century France
Cologny, Fondation Martin Bodmer
Cod. Bodmer 147: Estoire Del Graal (interpolated)
fol. 198r - the lower image seems to be depicting Caesarean section??
end of 13th century France
Cologny, Fondation Martin Bodmer
Cod. Bodmer 147: Estoire Del Graal (interpolated)
fol. 10v - Mary of Bethany/Mary Magdelene wiping Christ’s anointed feet with her hair
end of 13th century France
Cologny, Fondation Martin Bodmer
Cod. Bodmer 147: Estoire Del Graal (interpolated)
fol. 4r - historiated initial (not sure which letter, possibly E?); probably the Visitation
end of 13th century France
Cologny, Fondation Martin Bodmer
Cod. Bodmer 147: Estoire Del Graal (interpolated)
fol. 250v
http://www.e-codices.unifr.ch/en/list/one/cb/0147
I call this type of overgarment the choking cloak. It is depicted fastened with two strings and the wearer (always noble) often goes around his business with one of his fingers looped about the strings to hold the cloak in place. (or with the cords hanging low, like here, obstructing the arm movement) Seems to be a highly impractical design, if you ask me - but then, that is probably the point.
end of 14th century France
Cologny, Fondation Martin Bodmer
Cod. Bodmer 93: Echecs moralisés by
fol. 32r
14th century (ca. 1350-1370) Italy - Naples?